AND
37 documents
return to data set
   
37 results (1/1 page)          
filter by Title  A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [all] 
Title Year Author(s) Abstract 
De Pékin à Shanghaï, souvenirs de voyages1871Buissonnet, Eugène
Da shanghai: dong fang haolaiwu, zhongguo dian ying shi ye de jue qi yu fa zhan 大上海:东方好莱坞 中国电影事业的崛起与发展1991Bao, Minglian 包明廉
Dou zheng shi ba nian 斗争十八年1967Sima, Lu 司马璐
Dian shi zhai hua bao quan ji 點石齋畫報全集1910
Da Qing Bei guan 大清北觀
Dai pan si zhong ji lue 戴槃四種紀略
Da Yuan tong zhi tiao ge 大元通志條格
De yi lu 得一錄1885
Dong bei wen xian ling shi, xin shi congkan 東北文獻零拾,心史叢刊
Dong san sheng Han E jiao jie dao li biao, Heilongjiang tong zhi gang yao, Heilongjiang yu tu shuo 東三省韓俄交界道裡裱,黑龍江通志綱要,黑龍江與圖說
Dian nan za zhi 滇南雜誌
Dong hua lu 東華錄Jiang, Liangqi 蔣良騏(清)
Dao Xian Tongguang ming ren shou zha 道咸同光名人手札 1966Shen, Yunlong 沈雲龍 主編;
Dong fang bing shi ji lue 東方兵事紀略1967Shen, Yunlong 沈雲龍;Yao, Xiguang 姚錫光
Ding yi Zhen chuan jun fan ji lu 丁已滇川軍閥記錄1967Shen, Yunlong 沈雲龍 主編
Ding Wencheng (Bao Zhen) yi ji 丁文誠公(寶楨)遺集1967Shen, Yunlong 沈雲龍 主編; Luo, Wenbin 羅文彬
Di zhi yun dong shi mo ji 帝制運動始末記1967Shen, Yunlong 沈雲龍 主編
Du Zhi tang cong gao 獨志堂叢稿Shen, Yunlong 沈雲龍 主編; Zhang, Qihuang 張其煌
Dong san sheng jiao she ji yao 東三省交涉輯要Liu, Ruilin 劉瑞霖
Da shanghai zhi nan 大上海指南1947Wang, Changnian 王 昌年
Developing China : land, politics and social conditions2009Lin, George, C.S.
Dian shi zhai hua bao 點石齋畫報 [Part I] 1884

The Dianshizhai huabao 點石齋畫報 "Illustrated Lithographer" was an illustrated magazine that achieved great attention in the late 19th century because it was produced on a lithographic basis, which made it possible to reach a large public. The name is derived from a building within the complex of the Shenbao Publishing House 申報館 in Shanghai where lithographic prints could be produced. Publisher of the "Illustrated Lithographer" was the British Ernest Major (1841-1908, Chinese name Meicha 美查) who also published the famous newpaper Shenbao 申報 "Shanghai News". The first issue of the Dianshizhai huabao was published on May 8, 1884 in Shanghai, the last issue came out in 1898. There were in total 528 issues (according to a lower estimation, 473 issues) including more than 4,600 illustrations. The magazine appeared on a ten-day basis (xunkan 旬刊). Each issue had the same format containing eight pages with 8 illustrations. Collectors could then assemble each issue in a traditional thread-bound booklet. The issues were numbered according to the Heavenly Stems, Earthly Branches, musical notes and the so-called Six Arts. It was sold separately or was given as a free supplement to subscribers of the newspaper Shenbao. [Source: http://www.bc.edu/research/chinagateway/culthist/dianshizhai_intro.html]
 

Dian shi zhai hua bao 點石齋畫報 [Part II] 1884

Volumes for 1884-1889.

The Dianshizhai huabao 點石齋畫報 "Illustrated Lithographer" was an illustrated magazine that achieved great attention in the late 19th century because it was produced on a lithographic basis, which made it possible to reach a large public. The name is derived from a building within the complex of the Shenbao Publishing House 申報館 in Shanghai where lithographic prints could be produced. Publisher of the "Illustrated Lithographer" was the British Ernest Major (1841-1908, Chinese name Meicha 美查) who also published the famous newpaper Shenbao 申報 "Shanghai News". The first issue of the Dianshizhai huabao was published on May 8, 1884 in Shanghai, the last issue came out in 1898. There were in total 528 issues (according to a lower estimation, 473 issues) including more than 4,600 illustrations. The magazine appeared on a ten-day basis (xunkan 旬刊). Each issue had the same format containing eight pages with 8 illustrations. Collectors could then assemble each issue in a traditional thread-bound booklet. The issues were numbered according to the Heavenly Stems, Earthly Branches, musical notes and the so-called Six Arts. It was sold separately or was given as a free supplement to subscribers of the newspaper Shenbao. [Source: http://www.bc.edu/research/chinagateway/culthist/dianshizhai_intro.html]
 

Dang dai dang guo ming ren jiang yan ji 當代黨國名人講演集1969Jun shi xin wen she 軍事新聞社
Dang dai ming ren xin yan jiang ji 當代名人新演講集1969Lu, Xiang 陸翔
Da Shanghai di yi ri 大上海的一日1938Luo, Binji 駱賓基
Da shanghai zhi nan 大上海指南1947Wang, Changnian 王昌年
Da Shanghai di yi ri 大上海的一日1938Luo, Binji 駱賓基
Dai shanhai toshi kensetsu keikaku 大上海都市建設計畫 1940Kōain Seimubu 興亞院政務部
Da zhong hua za zhi 大中華雜誌 (1-2)1969Liang,Qichao 梁啟超 主編
Da zhong hua za zhi 大中華雜誌 (3-4)1969Liang,Qichao 梁啟超 主編
Di guo zhu yi dui Zhongguo gong kuang shi ye de qin lüe he long duan 帝国主义对中国工矿事业的侵略和垄断1957Chen, Zhen 陈真;Yao, Luo 姚洛
Da shu ju shi dai de li shi yan jiu : guan yu da shu ju hua yu dang dai li shi yan jiu de zhong yao cheng guo 大数据时代的历史研究 : 关于大数据化与当代历史研究的重要成果 Historical studies with big data2018Shu, Jian (ed.) 舒健
Directory of the Chinese Students in the United States of America 1911-19121911Chinese Students' Alliance in the United States of America
Directory of Protestant Missionaries in China, Japan and Corea for the Year 19061906
Directory of Chinese Students in colleges and universities in the United States of America 1951-19521952Chinese Institute in America
Du Hui Jing Ji Lun Li Yu Jin Dai Zhong Guo 都會經濟倫理與近代中國2010Yeh, Wen-hsin 葉文心

The prosperity and magnificence of Shanghai, at its inception, were a 'maritime marvel'. This city, full of legends, transformed from a county town on the lower reaches of the Yangtze River into one of East Asia's premier international trading ports within a mere century after the Opium Wars. It collectively challenged and reshaped China's traditional cultural order through the elements of 'foreign' influence, commerce, and women's roles. Amidst the Western winds of capitalism, Shanghai exemplified the early stages of China's capitalist development, making it an indispensable facet of Chinese modernity.

After 1949, under Communist policies, Shanghai was designated as an industrial hub, its former splendor washed away. It wasn't until the 1990s that China turned back to Shanghai in pursuit of modernity, propelling the city to prosperity once again.

This unprecedented city and economic force in Chinese history—how did it challenge and influence the broader Chinese society and culture? This book delves into the social and cultural history of Shanghai from 1843 to 1949, meticulously examining its finance, publishing, and modern retail industries. Yip Man-Sen vividly portrays China's first urban middle class through this exploration. In the early 20th century, when China's national role was relatively weak, this new affluent class, viewing commerce and consumption as patriotic endeavors, not only gained legitimacy within Confucian society but also became a driving force behind the transformation of Shanghai and a key player in the development of modern Chinese politics and nationalism.

The new often has roots in the old, and Yeh Wen-hsin argues that Shanghai has once again positioned itself at the heart of Chinese modernity, albeit with substantial efforts dedicated to unearthing its historical memories. Thus, to comprehend contemporary Shanghai, one must revisit the period prior to 1949—a Shanghai where Eileen Chang once lived, loved, and indulged. Whether the contemporary affluent class of Shanghai will once more assume a role in propelling national transformation might be glimpsed through the historical analysis presented in this book.

      上海的繁華輝煌,一開始卻是個「海上奇觀」。這座充滿傳奇的城市,在鴉片戰爭後的百餘年不僅由一個長江下游的縣城,一躍而成東亞數一數二的國際性通商巨埠,更以「洋」、「商」與「女性」共同挑戰與改變中國傳統文化的秩序。西風中的資本主義,在上海長出最能代表中國早期資本主義發展的面貌,中國的現代性不能不談上海。一九四九年後,上海在共黨政策下,被賦予製造工業的角色,一代繁華洗盡,直到九○年代,中國又回到上海找尋現代性,上海再度成為繁華的代表。

  這個中國歷史上史無前例的城市與經濟,對廣大中國的社會與文化構成什麼挑戰與影響?本書回顧一八四三年至一九四九年的上海社會文化史,透過細細考察上海的金融、出版和現代百貨業,葉文心生動描繪中國第一批城市中產階層。在國家角色尚弱的二十世紀初期,這個新富階層在從商與消費被視為愛國志業的觀念下,不僅取得在儒家社會的正當性,從而改變了上海, 更成為近代中國政治與民族主義發展的主要力量。

  新的往往也是舊的,葉文心認為,上海如今再度回到中國現代性的核心位置,卻有不少力氣花在挖掘過去的歷史記憶。因此要瞭解今日之上海,必須回到一九四九年前,那個張愛玲曾經生活過也貪嗔癡過的上海。而當代上海新富階層,是否會再次扮演推動國家變遷的角色,或許可從本書的歷史分析窺見一二。

   
37 results (1/1 page)          
filter by Title  A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [all] 

 

                                 

©2022 IrAsia / Huma-Num, All Rights Reserved
Web Developer: Gérald Foliot – Web Design: Feng Yi (馮藝)
Site hosting : TGIR Huma-Num

Last update: Monday 12 February 2024 (16:23) +
Page rendering in 0.045s